Nigel concentrates on the theme of commuting. By using old copies of the Financial Times as a canvas he builds up layers of acrylic paint to create a sense of colour.

His work is focussed on movement, a chaotic army of suited warriors, bursting in a mass of limbs towards the glimmer of a tube station.

Anarchic paintings, the monstrous sum of a herd of disembodied body parts creating an explosive moving mass threatening and inhuman and probably very familiar to regular users of London Transport.